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Artist
Antonio "Zacara" da Teramo (in Latin Antonius Berardi Andree de Teramo, also Zacar, Zaccara, Zacharie, Zachara, and Çacharius; c.1350/1360 – between May 19, 1413 and mid-September 1416) was an Italian composer, singer, and papal secretary of the late Trecento and early 15th century. He was one of the most active Italian composers around 1400, and his style bridged the periods of the Trecento, ars subtilior, and beginnings of the musical Renaissance. Antonio was probably from Teramo, in northern Abruzzo (Kingdom of Naples), not far from the Adriatic coast. The possibility that two different composers, "Antonio da Teramo" and "Zacara da Teramo", were conflated into one person was removed by research into the composer's life by Agostino Ziino. (Another composer with a similar name, Nicolaus Zacharie, was of the following generation of composers). Antonio's nickname "Zaccara" (or "Zachara"; often regularized in modern editions as "Zacara") probably is a reference to his short stature (he is described as having "statura corporis parva" in a 15th-century biography). The name Zacara means a small thing or a thing of little value; hence the reason why Antonio never used the nickname himself and documents produced in circles close to the composer are careful to call him some variation on "Antonius vulgatus dictus Zachara" (Anthony, commonly called Zacara). Nothing is known about his life until he is recorded in Rome, in 1390, as a teacher at the Ospedale di Santo Spirito in Sassia;
Un fiore gentile m'apparse
3,7362Cacciando per gustar / Ai cinci, ai toppi
823Credo Deus Deorum
524Dime, Fortuna poi che tu parlasti
455Cacciando per gustar
336Le suy navrés / Gnaff’a le guagnele Antonio
327Un fior gentil
278Ferito già d´un amoroso dardo
259Ciaramella, me dolze Ciaramella
2410Un fior gentil m´apparse
23A Meeting Place: Medieval & Renaissance Music for Lute & Ud

Spinato Intorno al Cor
Music for a Medieval Banquet
Food, Wine & Song - Music and Feasting in Renaissance Europe
Zachara: Cantore dell'antipapa (XV secolo) (On Historical Instruments)
The Saracen And The Dove
Parle qui veut: Moralizing songs of the Middle Ages
Fragments
Metamorfosi Trecento
Chamber Music (Italian 14Th Century) - Landini, F. / Padova, B. / Moulins, P. / Ciconia, J. / Teramo, A.Z. (Les Haulz Et Les Bas)