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Antonello da Caserta, also Anthonello, Antonellus Marot, was an Italian composer of the medieval era, active in the late 14th and early 15th centuries. Essentially nothing is known of Antonello's life. Earlier in the 20th century, Nino Pirrotta thought Caserta was a Neapolitan composer, but because most of his surviving works are in northern Italian manuscripts, this is disputed. Allusions in his texts suggest that he worked for the Visconti family in Milan around the turn of the 15th century, and archival documents place him in Pavia in 1402. Antonello was a monk, though the order to which he belonged is not known. Antonello da Caserta is one of the more renowned composers of the generation after Guillaume de Machaut. Antonello set texts in both French and Italian, including Beauté parfaite of Machaut; this is the only surviving musical setting of a poem by Machaut which is not by Machaut himself. He was highly influenced by French musical models, one of the first Italians to be so. One of his ballades quotes Jehan Vaillant, a composer active in Paris. He also made use of irregular mensuration signs, found in few other manuscripts. He also uses proportional rhythms in some ballades, a device which became more popular in later periods. His Italian works tend to be simpler, especially the ballate. Both his French and Italian works take as their subjects courtly love. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Amour m'a le cuer mis en tel martire (ballade)
1,6672Beauté parfaite
1463de Caserta: Amour m'a le cuer mis en tel martire
804Più chiar che’l sol
475Amour m'a le cuer mis
396Amour m’a le cuer mis (Ballade)
377Dame d’onour (Ballade)
368Je ne puis avoir plaisir: fol.24, Je ne puis avoir plaisir (virelai)
349Dame zentil (Rondeau)
3010Dame d'onour
28D'Amours loial servant - French and Italian Love Songs of the 14th-15th Centuries
Marchaut and his Time: 14th Century French Ars Nova
The Art of Courtly Love
Vertù contra furore, Musical Languages in Late Medieval Italy, 1380-1420
Beauté parfaite
D’Amor ragionando: Ballate neostilnoviste in Italia 1380-1415
D'Amours loial servant - French and Italian Love Songs of the 14th-15th Cent

Ars Subtilis Ytalica
Naturale
Beauté parfaite (Alla Francesca)

En attendant
Ars Subtilis Ytalica · Polyphonie pseudo-Française en Italie, 1380-1410