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Incase you haven’t heard, The Slants are the first and only all Asian synth-pop bands in the North America and they have been melting faces off all over the globe. Kicking off the band’s career at a tiny dive bar in Portland, OR, The Slants soon found themselves on tour and in demand worldwide performing at music halls, colleges, and anime conventions. Within months, they released their debut album “Slanted Eyes, Slanted Hearts” winning multiple awards from the likes of Willamette Week, Rockwired, AsiaXpress, and the Portland Music Awards. Since that first iconic show in 2007, The Slants have been cited as the “Hardest Working Asian American Band” (slanteyefortheroundeye.com), toured North America ten times, rejected a million dollar recording contract, were the first and only Asian band to be a Fender Music artist, and according to U.S Congress, the first rock band to play inside a state library. The Willamette Week, summarizes The Slants’ history perfectly: “It’s a great story: All-Asian synthcore troupe lands anime festival, achieves instantaneous notoriety from overpacked fireball-laden maelstrom, inspires John Woo and Dragon Ball Z fans toward aggro electro and—just months after its first practice—books gigs across the globe. As shadow-warriory as the Slants’ rise has been, it’s still all about the tunes, and the band’s debut—floor-filling synth pop bristling with all the menace and grandeur of its oft name-checked cultural icons—is propulsive, cinematic and impossible