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Juan de Anchieta (1462 – 1523) was a Spanish composer of the Renaissance. Born into a leading Basque family, his mother was a great-aunt of Ignatius of Loyola, founder of the Society of Jesus.[1] In 1489 he was appointed to the chapel of Queen Isabella and in 1495 became maestro di capilla to Prince Don Juan, returning to the Queen's service after the Prince's death in 1497, and in 1504 to that of the new Queen, Joanna the Mad. He held various church benefices, from 1518 as Abbot of Arbs, spending his final years in a Franciscan convent he had founded in Azpeitia. Some thirty of Juan de Anchieta's compositions survive, among them two complete Masses, two Magnificats, a Salve Regina, four attributed Passion settings, with other sacred works and four compositions with Spanish texts. The two Masses and many motets which survive show extensive use of plainsong and much chordal writing. He was among the leading Spanish composers of his generation, writing music for the ample resources of the court chapel of the Catholic Kings. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Ave Maria - Les Plus Beaux Ave Maria Et Chants A La Vierge (The Most Beautiful Ave Marias and Songs To the Virgin)
ANCHIETA: Missa Sine Nomine
Royal Songbook: Spanish Music From The Time Of Columbus
All the King's Men

Miss Rex Virginum Motecta
Missa Sine nomine (Capilla Peñaflorida and Ministriles de Marsias feat. conductor: Josep Cabré)
Cancionero Musical de Palacio: Music of the Spanish Court
Sun, Moon, Sea and Stars: Songs and Arrangements by Bob Chilcott
Cancionero Musical de Palacio
Cecus: Colours, blindness and memorial

Saints and Sinners - The Music of Medieval and Renaissance Europe
El Cancionero De Palacio