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Artist
New York, 1967. Tom Wilson, man behind the mixing desk for such legendary artists as Bob Dylan, Frank Zappa, The Velvet Underground, and Simon and Garfunkel, has persuaded Verve Records to sign and fund his newest project for distribution on their Forecast imprint. Unlike the other acts that Wilson helped shape into the defining sounds of an era, this artist will barely make a mark on history. His name is Harumi, he's from Japan, and he creates a psychedelic pop album that would eventually be heralded as everything from lost classic to hopelessly frazzled to Holy Grail among squares and psych-heads decades later, but not before he manages to completely disappear from the music industry and into the void of complete and total obscurity. There is very little known about the man named Harumi, if that's even his real name (and it's debatable, as "Harumi" has female connotations in Japanese). Virtually every source-every blog, every website-has the exact same information on him: He came from Japan to New York to record an album, and disappeared. Did he remain in America to take part in the flower power movement? Could he have returned to Japan, sealing the fate on his obscurity by becoming a salaryman? Presumably, nobody outside his family knows. He could be anywhere in the world. He could be dead. The actual album itself only adds to the mystery. Recorded between 1967 and 1968, it was a product of its time: a psychedelic gem released at the height and in the heyday of the genre