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Artist
Ton de Leeuw (born Rotterdam, 16 November 1926, died Paris, 31 May 1996) was a Dutch composer. He was known for his experiments with microtonality. Taught by Olivier Messiaen and others, and influenced by Béla Bartók, he was a teacher at the University of Amsterdam and later professor of composition and electronic music at the Sweelinck Conservatory in Amsterdam from 1959 to 1986. Among his notable students are Gheorghi Arnaoudov, Michail Goleminov, Walter Hekster, Liza Lim, Chiel Meijering, and Otto Sidharta. He studied ethnomusicology with Jaap Kunst in 1950-54 [1]and the encounter with the Dagar brothers and Drupad on his first visit to India in 1961 deepened a lifelong interest in "transculturation. He also visited Japan in the 1960s. This manifested itself in his work for Western instruments by the occasional use of microtonality as well as in compositional plans; Gending (1975[2]) for Javanese gamelan is a rare foray into writing for non-western instruments. He wrote three operas, all to his own libretti, including a television opera Alceste (1963, after Euripides), the one-act De Droom ("the Dream")(1963) Antigone (1989–1991, after Sophocles). User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

Anthology of Dutch Electronic Tape Music Volume 1 (1955-1966)

Anthology Of Dutch Electronic Tape Music Vol. 1 - 1955-1966
Anthology Of Dutch Electronic Tape Music (Volume 1: 1955-1966)
Pijper & Escher: Violin Sonatas etc.
Choral Works
Anthology Of Dutch Electronic Tape Music - Volume 1: 1955-1966

Dutch Electronic Music Volume 1

Anthology of Dutch Electronic Tape Music Vol 1 (1955-66)

Anthology of Dutch Electronic Tape Music: Volume 1 (1955-1966)
Complete Piano Solo Works

De Leeuw: Complete Piano Solo Works

Symphonies of winds / Haiku II / Résonances