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Artist
La course folle de Tim Dup, his 3rd opus, promises to make people dance on sunny days! The artist confides, smiling, that he took great pleasure in writing and composing it. We believe him. The album is a concentrate of delicacies. We find an accomplished pen, chiselled texts, pop'ised with sunshine. We discover a voice freed from its juvenile air, mastered more and more, a timbre that plays and wanders from octave to octave. It has taken her hours of stage time since Mélancolie heureuse (2017) to dare to play her, even in the arrangements. It took her a lot of work to flirt with the choruses with lightness. In her previous album, the artist questioned the future of the planet, the weight of time and the meaning of transmission. 2020 and its batch of uncertainties have vanished, touring and procrastination. What will be left of it? Its author answers in major and chooses to twist the intensity of life, the beauty of the ephemeral, a panache of modern elegance and sincerity. The universe is an adventure. Tim Dup has a gift for taking us into the realm of metaphor. "I distil the day, I still the clouds". He threads his writing through the lexical fields of effluvia and the sky. He tints his music with a new freedom. The artist now tunes his solitary piano to the echoes of other musicians: strings, harp, flute, guitars, rhythms, electric bass, and two brilliant pianists, Thomas Enhco and Alexandre Tharaud. He joins his voice to those of three women artists, Anaïs Demoustier, fo

Qu'en restera-t-il ?

Mélancolie heureuse - Nouvelle impression

Vers les ourses polaires

La vie ne vaut rien (reprise d'Alain Souchon)

Mélancolie heureuse

La course folle

Les immortelles

Et tu restes (Extrait de la bande originale du film « Le Chêne »)

Fin août (Yuksek remix)

D'avoir vécu assez

Bons vivants (Huko remix)

Le visage de la nuit