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Artist
Hailing from the working class suburbs surrounding Stoke-on-Trent, The Having spent three years serving their apprenticeship in the folk clubs of Britain, The Queensberry Rules first signified their arrival on the folk circuit with the release of their 2004 album – ‘Heritage and History’. Self produced and released, it contained a collection of songs focusing, in the main, on their home city of Stoke on-Trent. Songs such as ‘The Saggar Makers Bottom Knocker’ and the title track, talked of trade and industry synonymous with the area, whilst ‘Jam Jar Wakes’ dealt with the local traditions. So successful was the album in introducing the band to new audiences, that their burgeoning reputation also alerted the attentions of the Fellside label in Workington, Cumbria. One of the most prolific and well-respected folk record labels in the UK, and home to staples of the scene such as Spiers and Boden, Nancy Kerr and James Fagan, Bram Taylor and Cockersdale, and who also launched the careers of Jez Lowe and John Wright. Through their commitment to playing lengthy tours of the U.K, and high profile shows with the likes of Fairport Convention, The Levellers, Vin Garbutt and Show of Hands, their star continued to rise, as word of their exhillerating live shows continued to spread. Simon Jones of fRoots said of the band in 2006; “..they have pulled many a dire festival bill out of the mire and made everybody smile..” whilst Sing Out stated; “..they are a real hoot live..”. The result of th