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Artist
Tambisan sa Sining (Interaction in Arts) started in 1979 through the effort of a group of individuals who collect funds for the workers cause by seranading advocates of workers rights from the middle section of the society. The amount they have collected were given to workers who were on strike. In 1980, Tambisan sa Sining was formally established as a cultural group. It envisions to use and interact with the different art disciplines in serving the cause and aspiration of the workers and other deprived sectors of the society. During the martial law period, it serves to awaken, organize and mobilize the workers through different art form. Tambisan has also been a part in the founding of the Kilusang Mayo Uno in that same year. As such, Tambisan sees itself as part of the larger movement for genuine social transformation in the Philippines. It does education and organizing work among the workers and urban poor people in general for it believes that an enlightened people organized in struggle is fundamental in asserting the people's interests and aspiration. Tambisan sa Sining had already produced and staged several performances. Notable of which were the production of the following: Awit, Tula at Kasaysayan (Songs, Poems and History) toured in key cities of the country.and several cities in Japan, Kara o Krus, a stage production which tackled the call to boycott the presidential election in 1984; Welga! Welga! (Strike! Strike!); and Mayo Uno ng ating Paglaya (May First of o