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Artist
Sébastián Ramón de Albero y Añaños (10 June 1722 – 30 March 1756), usually known as Sébastián de Albero, was a Spanish keyboard player and composer whose brief career culminated in service to the Bourbon court in Madrid. Born in Roncal (Navarre), he entered the formal ecclesiastical training pipeline early: sources place him from 1734 in the choir school of Pamplona Cathedral, where he developed his skills in keyboard playing and composition under the cathedral’s musical leadership before leaving in 1739. In the 1740s he emerges in Madrid, and while some details of his route there remain imperfectly documented in general-reference summaries, his professional destination is clear: Albero became connected with the musical establishment of King Ferdinand VI, a world in which keyboard musicians were valued both as liturgical professionals and as cultivated court performers. Albero’s principal post was within the Capilla Real (Royal Chapel) of Madrid, where he is repeatedly described as first organist in the later part of his life; modern commentary also preserves the administrative detail of his appointment process, indicating that his rise was formalised by royal decree while he was still a young man. Alongside this, he is regularly characterised as a chamber musician to Ferdinand VI, a pairing that reflects the dual function of elite keyboard players in Madrid: they served the chapel’s ceremonial and devotional needs while also participating in the private musical life of the