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Orfeo Vecchi (ca. 1551 – 1603) was an Italian composer and choirmaster. His most important appointment as choirmaster was at Santa Maria alla Scala, Milan. His extant compositions date as early as 1588. Vecchi was born sometime around the year 1551[3] and educated in the Vercelli Cathedral.[4] In 1580 Vecchi was nominated by Charles Borromeo for the post of the newly created position of "maestro di cappella" at Santa Maria alla Scala, in good part because of the combination of his youth and training.[4] Borromeo vested him with minor orders in 1581, in order to meet the requirements of a 1565 cathedral rule that stated musicians were to be chosen from clergy.[4] Nonetheless, Vecchi's appointment to the position remained controversial, and he vacated two years later in favor of the same position at the Vercelli Cathedral.[4] He returned to Santa Maria alla Scala after another four years.[4] There he was unsuccessfully nominated for a position of chaplain at the altar of San Giovanni.[4] In 1591 he applied for the position of mansionarius at Santa Maria alla Scala, in which he sang Ambrosian plainchant.[5] This effort was successful.[4] He died in 1603. He was prolific as a church composer[6] in the post-Tridentine style,[4] and became the foremost sacred music composer in Milan in his time.[7] His tenure at Santa Maria alla Scala returned the institution to its leading place among musical establishments in Milan.[4] His influence on English composer Peter Philips was signifi
Motectorum, Book 3: No. 15, Coelorum candor splenduit
582Motectorum, Book 3: No. 1, Consolamini popule meus
83Gloria in excelsis Deo
84Motectorum, Book 3: No. 3, Virgo prudentissima
75Motectorum, Book 3: No. 2, Prudentes virgines
76Motectorum, Book 3: No. 7, Quem vidistis pastores?
77Motectorum, Book 3: No. 6, Vide Domine
68Motectorum, Book 3: No. 16, Alleluia. Christus resurgens
69Motectorum, Book 3: No. 4, Surrexit pastor bonus
610Motectorum, Book 3: No. 12, Eructavit cor meum
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