Kristin Norderval

about

Kristin Norderval, soprano, is a performer, composer and improviser who performs a repertoire that spans the renaissance to the avant-garde. Profiled by The New York Times in "Downtown Divas Expand their Horizons", and hailed as one of "new music's best" by the Village Voice, she has performed at festivals throughout the world, and her collaborations have included work with choreographers, sculptors, filmmakers and installation artists. She has performed as a soloist with the Oslo Sinfonietta, the San Francisco Symphony and the Philip Glass Ensemble, and has been a featured soloist in several dance-theater works: among them the Netherlands Dance Theater's production of Martha Clarke's An Uncertain Hour (Lincoln Center, the American Dance Festival, the Netherlands) and Dance Alloy's production of Pope Joan, a dance-opera by Anne LeBaron written specifically for Norderval and premiered in Pittsburgh in October 2000. She Lost Her Voice That's How We Knew (2004), a one-woman opera for voice and electronics composed by Frances White with libretto and direction by Valeria Vasilevski was developed especially for Norderval, and has been presented in productions in the United States, Norway, Austria, Spain and the Netherlands. Music for dance, theater, film and performance has figured prominently in Norderval's own compositional work. She created the music for SUB, a short dance film by Kjersti Martinsen; the soundtrack for GOD IN THE MACHINE, an evening-length film written and dire

top songs

albums

Aural Histories

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Parrhésie

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I Do! - Classical Wedding Music

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Aural Histories: post-ambient arias for voice and electronica

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Relaxing Bach

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Aural Histories (Post-Ambient Arias For Voice And Electronics)

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Einstein On The Beach, Opera

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Mathew Rosenblum: Ancient Eyes

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Baroque Favourites with Musica Antiqua New York and Ama Deus Ensemble

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White: She Lost Her Voice That's How We Knew

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Icmc 2010

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Bach: For Relaxation and Meditation

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