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Artist
Juan París (born Barcelona c.1759 – died Santiago de Cuba, 10 July 1845) was a Catalan-born priest, choirmaster and composer who became one of the central figures of sacred music in colonial Cuba. After the death of Esteban Salas, París was appointed maestro de capilla of the Cathedral of Santiago de Cuba (beginning his long tenure in the early 1800s) and over the next four decades transformed the cathedral’s musical life—organising its library, founding an informal academy, staging concerts and directing a busy programme of liturgical and festival music. His activity helped sustain and renew the island’s vocal and choral traditions at the close of the colonial period. As a composer París wrote chiefly for the church: masses, motets, cantatas and numerous villancicos (Christmas carols and devotional pieces) that reflect late-Baroque and early-Classical idioms adapted to Cuban practice. Many of his manuscript sources survive in Cuban archives and have been edited in modern transcriptions, and his teaching influenced a later generation of Cuban musicians (notably Laureano Fuentes Matons among others), securing París’s reputation as a foundational figure in the island’s musical history. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.