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Artist
Juan Arañés or in Catalan Joan Araniés (ca. 1580-1649) was a Spanish baroque composer.[1] His tonos and villancicos follow the style of those preserved in the Cancionero of Kraków.[2] Arañés was born in Catalonia, at an unknown date. After studies in Alcalá de Henares, he was maestro di cappella at the Spanish embassy in Rome, where in 1624 he published his Libro Segundo de tonos y villancicos. The first book is lost.[3] The Libro Segundo collection contains 12 pieces of 1, 2, and 3 voices, tonos humanos and villancicos, the final being a vocal chaconne for 4 voices, A la vida bona which features in the works of Cervantes.[4] The collection is notable for its guitar accompaniment in Italian notation.[5][6][7] He died in 1649. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Una sarao de la chacona, "A la vida bona"
6262Chacona: "Una sarao de la chacona"
5153Chacona: A La Vida Bona (Arañés)
1004Chacona: A La Vida Bona
805Un Sarao de la Chacona (Arr. for 2 Sopranos, Mezzo-soprano and Ensemble by Jeannette Sorrell)
616Chacona «A la vida bona»
447Un sarao de la chacona
378Chacona: A la vida bona, "Una sarao de la chacona" (arr. R. Mallavibarrena for vocal ensemble and chamber ensemble)
249Chacona, A la Vida Bona
2210Arañés: Chacona: A la vida bona
19Los Ministriles in the New World
Del Canto Figurado
Los Ministriles - Spanish Renaissance Wind Music
Canciones de Amor y de Guerra
The Mission
Los Ministriles: Spanish Renaissance Wind Music
Music For A Renaissance Faire
El Fuego: Renaissance Music from Italy and Spain
Músicas Viajeras: Tres Culturas
The Spanish Album
The Kingdoms of Castille
Es el amor, ay, ay - Tonos humanos del Barroco espanol