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Artist
He was born in Brabant around 1440, but information about his early life is scanty. He probably received his early training in Flanders, as did most of the composers of his generation. Sometime before 1473 he became associated with the ducal chapel in Ferrara, Italy, where Ercole I d'Este was attempting to build a musical establishment on the par of some of the other aristocratic centers in Italy. He was a member of the famous Milan chapel of the Sforza family in July 1474, along with Loyset Compère, Gaspar van Weerbeke, and some of the other composers from northern Europe who were part of the first wave of Franco-Flemish influence in Italy. In November he returned to Ferrara. What prompted him to leave and return is not known, but since the Milanese chapel was then the most renowned in Europe, it is possible he went to investigate the competition for his employer as much as to improve his own singing and compositional skill. However he must have returned to Milan, since he is listed along with Jean Japart, Colinet de Lannoy, and Compère, to be given a safe pass for exit from Milan on 6 February 1477, following the 1476 assassination of Duke Galeazzo Maria Sforza.[1] Martini was well-rewarded by his employer, receiving not only an unusually large salary for his position in the chapel, but his own house in Ferrara. In 1486 he traveled to Hungary as part of the group from Ferrara involved in the installation of a d'Este as Archbishop of Esztergom, and in 1487 and 1488 he made t

Martini: La fleur de biaulté
Alla Venetiana - Early 16th Century Venetian Lute Music
Argentum et aurum

I Dodici Giardini: Cantico di Santa Caterina da Bologna
La maitre de Fricassee - Secular Music of Jean Japart
Italian Airs and Dances
Missa Hercules Dux Ferrariae
Compère: Missa Galeazescha, Music for the Duke of Milan
Musik der Renaissance
Mynstrelles with Straunge Sounds
Recorder Arrangements - Dufay, G. / Dunstable, J. / Bartholomaeus De Bononia / Isaac, H. / Boismortier, J.B. De
Music from the Spanish Kingdoms