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Artist

Hieronymus Florentinus Quehl

german18th century

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Hieronymus Florentinus Quehl (1694–1739) was a German Lutheran organist and composer active in the central German church-music landscape of the early eighteenth century. He received his musical training under Christian Friedrich Witte, Kapellmeister at Gotha, situating him within the Thuringian tradition of chorale-based organ music closely associated with the Bach generation. Quehl worked as an organist in several Franconian and Thuringian towns, including Suhl, Marktbreit, and Fürth, and belonged to a milieu in which organists combined performance, composition, teaching, and the cultivation of repertory for liturgical use. His role as a teacher is securely attested through his connection with Johann Peter Kellner (1705–1772), later an important copyist and transmitter of Johann Sebastian Bach’s music. Quehl’s surviving musical profile is anchored above all in organ music preserved through specific documentary witnesses. These include a large manuscript source transmitting more than two hundred short fugues in German organ tablature, and the early printed collection 42 Fugen und Chorale (1734), which preserves chorale-based pieces and fugues associated with his name. Within the broader Bach-era network, Quehl is also linked to Johann Sebastian Bach through documented social ties: Bach is recorded in the literature as having served as godfather to one of Quehl’s children, indicating direct personal contact within the tightly interconnected circle of central German organist

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Wach auf, mein Herz und singe

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