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Artist
Girolamo Dalla Casa (died 1601) was an Italian composer, instrumentalist, and writer of the late Renaissance. He was a member of the Venetian School, and was perhaps more famous and influential as a performer than as a composer. Nothing is known about his life prior to his arrival at Venice, but he was probably born at Udine sometime before the middle of the 16th century. He was first hired by the musical establishment of St. Mark's in 1568, along with his two brothers, Giovanni and Nicolò, where they formed the first permanent instrumental ensemble. The sonorous acoustical environment of this basilica was the center of activity of the Venetians. Giovanni Gabrieli clearly had Dalla Casa's group in mind for much of his music, and the Dalla Casas are presumed to have played in many the elaborate polychoral compositions of the time. Dalla Casa was a virtuoso player of the cornett, which he described as 'the most excellent of all instruments'. The use of the Dalla Casas by Gabrieli and St. Mark's foreshadowed, and may have influenced, the development of the concertino-ripieno style of the concerto grosso in the later Baroque. Being a smaller group of virtuoso instrumentalists playing in contrast to larger instrumental and vocal forces arrayed around them, and being in the center of a hugely influential stylistic movement, they functioned as an early form of concertino. Much of the music which Gabrieli and the other Venetians wrote for them survives. Two books of madrigals and
Doulce Memoire
Ancor che col partire (Diminutionen des 16. Jahrhunderts)
De Rore: Ancor che col partire
O Felice Morire'
Amori & Sospiri: Passions in Early Baroque Music
Vergine Bella
Finest Music Selection: Winter
Tabarinades
Chamber Music (Renaissance) - Bassano, G. / Casa, G. Dalla / Fontana, G.B. / Bovicelli, G.B. / Rognoni, R. / Palestrina, G.P. Da (Le Concert Brise)
Music For The Moment: Winter
Cipriano de Rore: Ancor che col partire
Lassus: Chansons