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Artist

Giovanni Nasco

7+ albums
16th centuryfranco-flemish

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about

Jan Nasco (also Giovanni, Jhan) (c. 1510 – 1561) was a Franco-Flemish composer and writer on music, mainly active in Italy. He was the first director of the Veronese Accademia Filarmonica, and his writings, particularly a group of letters he wrote to the Academy in the 1550s, are important sources of information on performance practice regarding use of instruments in madrigals as well as motets. No documentation has yet turned up covering Nasco's early life, but he is presumed to have come from the Netherlands or adjacent areas, the home of most of the Franco-Flemish composers. Only the portion of his life he spent in Italy has been documented. He was in the service of Paolo Naldi, a nobleman in Vicenza, in the 1540s, and in 1547 he became the music director of the newly formed Accademia Filarmonica in Verona. While this may have been a prestigious and intellectually engaging post, it paid little, and in 1551 he took a job as maestro di cappella at the cathedral of San Pietro in Treviso, with some reluctance. He retained ties with the Accademia, as well as his post at Treviso, until his death. Nasco was a progressive composer in most of the genres current in mid-century Italy, including masses, passion settings, Lamentations, motets, and especially madrigals; however he did not publish much of his sacred music, especially his mass settings, and a lot of this music, which existed only in manuscript, was destroyed on April 7, 1944 during the Second World War when the Allies des

top songs

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Vorria che tu cantassi

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Dogliosa querela della Madonna S.ma per conto del Figliolo Gesu smarrito nel Tempio [Nuove laudi ariose della Beatissima Vergine]

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Lamentationes Hieremiae Prophetae (arr. M. Malavasi for vocal ensemble): Feria V in Coena Domini, Lectio I: Incipit lamentatio Hieremiae prophetae - Aleph: Quomodo sedet sola - Beth: Plorans ploravit

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Dogliosa querela della Madonna S.ma per conto del Figliolo Gesu smarrito nel Tempio [Nuove laudi ariose della Beatissima Virgine]

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Lamentationes Hieremiae Prophetae (arr. M. Malavasi for vocal ensemble): Feria VI in Passione et morte Domini, Lectio III: Samech: Plauserunt super te manibus - Ayn: Aperuerunt super - Phe: Fecit Dominus

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Lamentationes Hieremiae Prophetae (arr. M. Malavasi for vocal ensemble): Feria V in Coena Domini, Lectio II: Ghimel: Migravit Judas propter afflictionene - Daleth: Viae Sion lugent

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Lamentationes Hieremiae Prophetae (arr. M. Malavasi for vocal ensemble): Feria VI in Passione et morte Domini, Lectio II: Caph: Defecerunt prae lacymis - Lamed: Matribus suis dixerunt - Mem: Cui comparabo te

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Feria V in Coena Domini, Lectio II: Ghimel: Migravit Judas propter afflictionene

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Lamentationes Hieremiae Prophetae (arr. M. Malavasi for vocal ensemble): Sabbato Sancto: Oratio: Incipit oratio Hieremiae prophetae

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Lamentationes Hieremiae Prophetae (arr. M. Malavasi for vocal ensemble): Feria VI in Passione et morte Domini, Lectio I: De lamentatione Hieremiae prophetae - Heth: Cogitavit Dominus dissipare - Teth: Defecerunt in terra - Iod: Sederunt in terra

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albums

Nasco: Lamentationes Hieremiae Prophetae

Nasco: Lamentationes Hieremiae Prophetae

Progetto Musica: Musica Sacra Nell'Oratorio di San Filippo Neri

Progetto Musica: Musica Sacra Nell'Oratorio di San Filippo Neri

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Progetto Musica: Nuove Laudi Ariose della Beatissima Vergine

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L'Italie Renaissance

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Viva Napoli - Canzoni Villanesche

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Viva Napoli

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Renaissance

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