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"Instead of a bit of lyric, most often what came to me first when writing this material was the melody," confesses singer/guitarist Morgan Nusbaum of her St. Louis-based reverb-drenched garage pop duo, Bruiser Queen's new album, Sweet Static. What's clear here, in the band's sophomore presentation - and their first since recently signing to Boxing Clever Records - is her masterful dedication to melody and structure. Dreamy album opener, "Tiny Heart Attack," charms listeners with the band's signature trademark: Nusbaum's potent Corin Tucker meets 60's girl group top-of-the-lung howl; but the band's true ace is her dynamic guitar style. "One of the challenges unique to being a guitar/drums duo is filling out the spectrum of sound normally covered by several instruments on stage," she says. No such limits existed in the studio, where she crafted twinkling guitars and harmonies to depths of overdriven layers of bass, organ, and piano. "Working with Harry in his Memphis recording studio was such an incredible experience, where every instrument was within arm's reach." While 2012's debut Swears set forth Bruiser Queen's bold mission statement with bouncy 3-minute sing-along anthems for the Nation of Oohs and Whoa-Ohs, Sweet Static asserts that rules were meant to be broken - or at least bent. That's not to say Nusbaum, along with drummer Jason Potter, have thrown out the reverbial baby with the murky Mississippi River bathwater - they haven't. It's clear with tracks like "On The