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Blues Underground The "Memphis Soul" of Stax Records' mid-Sixties sound has long been recognized by the chunky portions of Hammond organ and wry guitar licks served up by their legendary studio house band, Booker T. & The MG's, with a little soul dressing of Otis Redding on the side. Likewise, the twin themes of exile and poverty (and perhaps the poor treatment of men by their big-legged women) in Mississippi Delta Blues runs deep and from as many sources as the rivers that flow into the region itself. From Muddy Waters, Howlin' Wolf, and Little Milton, to the royal highness of guitarists Albert and B.B. King, the very essence of the Delta sound begs the curious question: "Was there something in the water?" These two Southern sources are readily apparent in the grooves of the disc you're now listening to. Maybe "you don't miss your water till the well runs dry" but there's no chance of that with Blues Underground's generous flood of great songs. Listen to the deep, dark-hued voice of Roy Jones, who hails from the banks of the Mississippi river and Humphrey, Arkansas, sixty close miles from Memphis and the birthplace of these mighty sounds. Listen to the way he makes the woeful "St. James Infirmary" his own, or the way he breaks your heart with the group's self-penned title track "On My Way Back Home," and you'll hear what a sobering effect his liquid vocals have. There's a sense that he's lived the hard luck of "Born Under A Bad sign" one minute, then convincing us he mean