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Album
New York Tendaberry is the third album by New York City-born singer, songwriter and pianist Laura Nyro. It was released in the autumn of 1969, on Columbia Records, some eighteen months after its predecessor, Eli and the Thirteenth Confession. It was helmed by her, with the assistance of producer and engineer Roy Halee. The cover photograph was taken by David Gahr. New York Tendaberry is also considered to be the second in a trilogy of classic original Nyro records, with Eli and Christmas and the Beads of Sweat on either side. They are all considered musically and thematically similar, although New York Tendaberry is the most intense and stark. In 1969, Nyro was one of the most popular pop songwriters, and various groups including The 5th Dimension, Three Dog Night, and Blood Sweat and Tears had enjoyed hits with her compositions. Thanks to the strong word of mouth trailing her work, New York Tendaberry became her most commercially successful record, peaking at #32 on the Billboard 200, formerly known as the Pop Albums chart. The 5th Dimension reached US #27 in the Pop Singles chart (the Billboard Hot 100) with their version of "Save the Country", while artists including Barbra Streisand recorded "Time and Love". In 2003, the album was included in Mojo's Collection book of the best albums of all time, and the reissued version was voted among the Best Albums of 2002 in Uncut magazine. New York Tendaberry is strongly influenced by Nyro's hometown, New York City. Nyro sings
# On "New York Tendaberry" This 1969 album rewards careful listening as a self-portrait of artistic ambition and emotional precision. Nyro constructs intricate arrangements that blend soul, jazz, and classical influences while centering her own compositional voice—a notable choice in an era when female songwriters often remained behind the scenes. The work demonstrates sophisticated harmonic thinking and an unflinching attention to psychological complexity. Rather than seeking commercial polish, the album prioritizes textural depth and unconventional song structures, inviting listeners into densely layered soundscapes. Its New York specificity—the title itself signals rootedness in place—offers something beyond generic introspection. The album exempl
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Tom Cat Goodby
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Mercy On Broadway
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Save The Country
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Gibsom Street
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Time And Love
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The Man Who Sends Me Home
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sweet lovin baby
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Captain Saint Lucifer
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New York Tendaberry
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