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“Watch Me” is ANOHNI’s critique of mass surveillance in the United States, framed as a disturbing, ironic love song to the NSA. She exposes how government monitoring becomes intimate, invasive, and normalized. “Watch Me” is a dark satire of the idea that surveillance equals safety. By turning the NSA into a voyeuristic “Daddy,” ANOHNI exposes how invasive and dehumanizing constant monitoring is—and how easily it becomes normalized under the guise of protection.