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She discussed the production of the song in an interview: “I’m really into doom metal and those kind of gothy basslines, but Charles came in on ‘The Hunger’ with all that hi-tempo bass and I realised with all the sad chords I like it really took it up to a new level that I hadn’t explored before. It wasn’t even necessarily about creating ‘80s music, but more about the attitude and the fun of collaborating. “I’ve always loved those fuzzy synths and gothy aspects