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The badinerie or badinage is a brief and lively dance. It takes its name from the French badiner (to jest). The term arose during the 18th century when the badinerie was first included as a movement in the Baroque suite. Johann Sebastian Bach's (1685-1750) badinerie from his Orchestral Suite No. 2 in B minor for flute and strings, BWV 1067, is perhaps the best-known example.
This brief orchestral movement rewards close listening precisely because of its apparent simplicity. Bach constructs the entire piece from a single, darting melodic idea—a flute line that tumbles playfully over steady strings—yet develops it with such ingenuity that the badinerie never feels repetitive. What initially sounds like charming jest reveals itself as a study in variation and contrapuntal cleverness; each phrase subtly reshapes the material while maintaining the lightness the form demands. The work exemplifies Bach's ability to achieve profound musical sophistication without sacrificing accessibility, making it both immediately enjoyable and inexhaustibly interesting upon return visits.