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Artist
té
12+ albums
post-rockinstrumentaljapanesemath rockexperimental
about
té (also sometimes stylized as te' or テ in Japanese), is a Japanese post-rock and instrumental quartet, formed in Tokyo in 2004. Members: Guitar: kono (河野章宏/Akihiro Kono) Bass: matsuda (松田知大/Tomohiro Matsuda; since January 2011) Drums: tachibana (Tooru Tachibana; left band in March 2015, came back in May 2018) Support Guitar: Tatsuhito Ikeya (ATATA) / Ojima Ex members: Guitar: hiro (黒田洋俊/Hirotoshi Kuroda; passed away in November 2021) Bass: masa (left band in December 2010) Support Drums: 福田 洋子 (Fukuda Yoko; from March 2015 to May 2018) History: The band came together in January 2004 with Akihiro Kono as leader and guitarist. Kono was already active at Zankyo Record, producing early material for 9mm Parabellum Bullet, working on an album by Sparta Locals and playing in Takashi Igarashi’s solo project from syrup16g. té quickly gained attention for its forceful live presence. By September 2004 they had released their first maxi single through Zankyo. At the time, when playing with Kono's band, Kono's guitar case was the same as Hiro's, and Kono mistakenly took Hiro's guitar. When Tachibana realized this and returned it, that's how they first met. Their debut full-length followed in September 2005. It charted at number ten at Tower Records Japan and pushed the group into a successful nationwide tour. In March 2006 they appeared at the Independence D festival in Japan before an audience of ten thousand. That same month their first album was issued in the United States throu
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top songs
1
It must be called "Intelligence" if people stop when they realize they are not able to become what they are wishing to be.
4,0682A thought would never let people "watch" what they choose. Instead, it let them see what they hope to see.
3,9863Avarice would speak with every word, it "acts" every part and it even pretends to be not avaricious.
3,8824Anxiety is not about the issue. It is actually about people's "mind" related to the issue that they are afraid of.
3,8565A real "imitation" is the imitation that let people see ridiculousness of boring original one.
3,5136決断は無限の扉を開くのでは無く無限の誤謬に『終止符』を打つ。
3,4927Anger kills all the idiots, and envy would torture foolish people and all the "instants" being involved.
3,4108It is supposed to be "ordinary" that imagination moves much faster and more freely than bright light in the darkness.
3,3129We promise with a view to hope, but the reason to "accomplish" what we promised would be fear.
3,13810天涯万里、必然を起こすは人に在り、偶然を成すは『天』に在り。
3,132albums
まして、心と五感が一致するなら全て最上の『音楽』に変ずる。
敢えて、理解を望み縺れ尽く音声や文字の枠外での『約束』を。
ゆえに、密度の幻想は綻び、蹌踉めく世界は明日を『忘却』す。
If That is What is Being Thought, Liberated Sound Talks the Depth of "Musical" World.
音の中の「痙攣的」な美は，観念を超え肉体に訪れる野生の戦慄。
それは、鳴り響く世界から現実的な音を『歌』おうとする思考。
If that is what is being thought, liberated sound talks the depth of "musical" world
ならば、意味から解放された響きは『音』の世界の深淵を語る。
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It Be The Thinking As 'the Song' おう Of Realistic Sound From The World Which Resounds
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naraba, imi kara kaihou sareta hibiki ha "oto" no sekai no shinen wo kataru.
Sore wa, Narihibiku Sekai kara Ganjitsutekina Oto wo 'Uta' Outo Suru Shikou
Kotoba o Mochiite Kanaderu Mono wa Sainou ni Ara zu, Tada no Kioku ni 'Su'gi nu.