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Artist
Yves Malone
12+ albums
electronicexperimentalsynthSoundtrackCassette Culture
about
Interview: Yves Malone, a Lost Composer of Horror Film History Horror film soundtracks both obscure and renown have risen in popularity these past few years, from more electronic producers recalling John Carpenter’s synth-laden epics and labels reissuing classics in commemorative packages. we at the kort are fans of both, so you can imagine our excitement when we stumbled upon Yves Malone - a composer whose work has featured on a number of lost B-movies from the 80s, and whom has only recently opted to share his past works, lost in time, with the internet community. PT: Could you start off by giving a brief introduction to yourself and your music? Yves Malone: They call me Yves and I have been making music for quite a while now. I am a big fan of movies and soundtracks and luckily I found a way to merge the two. I am also a big fan of John Carpenter who married the two quite convincingly. Well, up to about 25 years ago he did. Now others do that work for him. I found a niche for a bit and it was fun. PT: What inspired you to soundtrack horror movies? How do you find these movies? The three you’ve worked on so far are quite obscure, to me at least. YM: Money. My band The Rex had broken up in 1981 - I was broke and my girlfriend at the time was going to film school: she met some people, I met some people and all of a sudden I was putting my keyboards to use again. The production company Silk Knights and I ended up doing a lot of work together - they made low budget, strai
top songs
albums
Abysscoteque
Ebony Sunrise
The Beginning of Nothing
Zenith City
Moonday Tides
The Unfortunate Occurrence of Memories Not Our Own Bleeding Through and the Hole That Fills Them
The ECHO People
A Hello To A Goodbye
Golden Twilight of the Black Sun
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Beyond the Before
Boneblack
The Most of What You Need Is All You'll Ever Have