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Artist
The move to New York City continues to yield new rewards for the music of Charlotte Greve. Back in Berlin, the alto saxophonist established a name for herself with her Lisbeth Quartett, and through collaborations with Malte Schiller and Stefan Schultze that displayed a flexibility for European-styled, post-bop jazz taken in unconventional directions. The move to NYC has led to increasingly diverse sounds and varied collaborations, including those with Marike van Djik’s Stereography Project, the jazz choir project Sediments We Move, and noise-jazz-avant-pop collaborations with Landlady’s Adam Schatz. Greve’s latest sees her stretching out even more with the quartet Wood River. More Than I Can See is gonna share a playlist with Julia Holter, not John Coltrane. It’s an art-pop album where Greve’s sunbeam vocals are carried along by ambient jazz harmonies. If you’re not familiar with Greve, there’s never been a better time to explore her discography. She’s on a creative path that moves in many directions at once. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.