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Artist
William Duckworth (born in 1943) is credited as composer of the first postminimal piece of music, The Time Curve Preludes. He composed Thirty-One Days (1987), for alto saxophone, and Southern Harmony, a choral work which uses certain features of shape note singing. He is the author of: * Talking Music: Conversations With John Cage, Philip Glass, Laurie Anderson, and Five Generations of American Experimental Composers (ISBN 0306808935) * A Creative Approach to Music Fundamentals (ISBN 0534094201) * 20/20: 20 New Sounds of the 20th Century (ISBN 0028648641) He is editor of Sound and Light: La Monte Young & Marian Zazeela (ISBN 0838753469). He is a music professor at Bucknell University. Nora Farrell, his wife, runs Monroe Street Records, which publishes many of his pieces. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Times Curve Prelude No. 17
8,3652The Time Curve Preludes, Book I: XII - q = 124
3,2083The Time Curve Preludes, Book I: III - q = 126
2,9744The Time Curve Preludes: No. 2
2,9435The Time Curve Preludes, Book I - q = 104
2,3936The Time Curve Preludes, Book I: II - q = 104
2,1707The Time Curve Preludes: No. 17
1,8948The Time Curve Preludes: No. 12
1,8299The Time Curve Preludes, Book I - q = 132
1,79610The Time Curve Preludes, Book I: IV - q = 132
1,762Time Curve: Music for Piano by Philip Glass and William Duckworth
Dualità

Time Curve Preludes

The Time Curve Preludes

Minimalist Dream House
Neely Bruce, Piano

Southern Harmony
Yvar Mikháshoff's Incitation To Desire

With and Without Memory
The Gregg Smith Singers - Southern Harmony
Minimal Piano Collection, Vol. X-XX
Work From Home With Minimalism