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Artist
Vladimir Valjarević (born 1973, Tuzla, SR Bosnia and Herzegovina, Yugoslavia), is a Bosnian/American pianist. The critics have praised Vladimir Valjarevic for his “caressing legato,” “silk-on-velvet seductiveness” (Fanfare Magazine), “beautiful lyricism and . . . wide variety of tones and colorings, perceptively applied with care” (All Music Guide). He has also been called “an outstandingly responsive partner and superb tonalist” (The Strad). Valjarevic feels equally comfortable interpreting scores of chamber music and solo literature. He has distinguished himself as performer, educator, and administrator - a result of his varied interests and versatility. Some of Valjarevic’s solo and chamber performances include appearances at the National Center for the Performing Arts in Beijing, Sumida Triphony Chamber Hall in Tokyo, Leiszhalle in Hamburg, Conservatory Hall in Geneva, Heilig-Kreuz-Kirche in Berlin, Concert Hall "Bulgaria" in Sofia, Conservatory of Music in San Juan, Puerto Rico, the Manchester Music Festival in Vermont, the Southwest Virginia Festival for the Arts, French and Swiss Embassies in Washington, D.C. In New York, he has performed at Bargemusic, “Concerts at One” at Trinity Church, the “Meet the Virtuoso” at the 92nd Street Y, the Weill Recital Hall at Carnegie Hall, Merkin Hall, Steinway Hall, the Yamaha Salon, The United Nations, and the New School’s Tishman Auditorium, among others. Committed to exploration of the contemporary repertoire, Valjarevic has work
Trois Romances sans paroles Op. 17: No. 2 Allegro molto
152Impromptu No. 2 in F minor Op. 31
123Trois Romances sans paroles Op. 17: No. 3 Andante moderato
114Trois Romances sans paroles Op. 17: No. 1 Andante quasi allegretto
115Mazurka in B flat major Op. 32
96Rapide
97Molto moderato e cantabile
88Neuf Préludes Op. 103: Prélude No. 5 in D minor
79Huit pièces brèves Op. 84: Fugue in A minor
610Moderato
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