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Artist
Urs Graf Consort, a collective with a corrupted genealogy, produces simulacra, songs nested within themselves, with the experimental accents of Ursonate. Prune Bécheau and Adrien Bardi-Bienenstock are composers and performers for ensembles that are as varied as the motley company brought together in etchings by the Swiss engraver Urs Graf. The song, an object, is essayist, narrative, dramatic, and serves like a space to wander, a waterway whose banks meet only at its source and nevertheless form a whole, subtly fragmented, off-the-cuff punctuations that have no other purpose than to accentuate the fluidity of the whole in the play of obstacles; splashing, sinking, diving, shouting, while the pulsing of the commas continues to respond to the luminous undulation of the surface when, with a communal shiver, the buttocks disappear beneath the cool water. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.