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Artist
Northern California native Tony Molina has a restless, multi-faceted musical personality. He got his start playing in hardcore bands, but over time developed two distinct styles that are very far removed from that sound. Initially under the name Ovens, then as a solo artist, he crafts bite-sized chunks of melodic pop that can be broken into two sub-headings: quiet acoustic guitar-led ballads and noisy electric songs that sound like Teenage Fanclub with J Mascis and the Fastbacks' Kurt Bloch spearheading a dual guitar attack. Molina broke through with 2013's Dissed and Dismissed, which leaned almost exclusively on his louder songs to great effect. Not content to be pigeonholed, however, he switched to the gentle, acoustic side of his dual nature for his next two releases -- which included 2018's Baroque pop-influenced LP Kill the Lights -- before issuing 2022's In the Fade, an album that incorporated all aspects of his previous work as a solo artist. Molina played in various D.I.Y. hardcore acts starting in his teenage years, while at the same time recording short songs that varied from acoustic ballads to almost symphonic metal, none of them lasting much more than a minute. This work was released under the name Ovens, beginning in 2006 with the "Beau Goes to the Hospital" single. He kept up a prolific pace, both as a member of bands and as Ovens, and in 2009 released the first music under his own name, the 12-song Embarrassing Times cassette. As the 2010s began, he continue