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Artist
The link between the classic Canterbury Scene of the '70s and the D.I.Y. psychedelic pop scene of the '90s is Todd Dillingham - a one-of-a-kind artist. Equally capable of writing concise, catchy little pop songs, twisted psychedelic explorations, and sprawling prog rock improvisations. This North London resident is like a one-man combination of XTC, Robyn Hitchcock and the Egyptians, and the Bevis Frond. Remarkably, for a one-man band who plays almost all of the instruments on his records, Dillingham came late to music, not recording his first songs until he was already into his thirties. His first album was a limited-edition self-released cassette, 1989's Stalking the Wily Chub, with a homemade cover designed by his brother, music journalist and psychedelic poster artist Mick Dillingham. (Dillingham has something of an obsession with fish, which regularly appear in his album titles and cover art.) Brother Mick took an even more active role in Dillingham's next project, the Bizarrdavarks, a trio featuring the brothers and Bevis Frond mastermind Nick Saloman that placed two tracks on 1990's Woronzoid, a double-album compilation on Saloman's Woronzow label. Saloman and Mick Dillingham also appeared on Dillingham's next recording project, the Saloman-produced Art Into Dust, which was supposed to appear on Woronzow in 1990 but was shelved, eventually appearing on the Voiceprint label in late 1992 with the addition of one later track, a nearly half-hour jam on Pink Floyd's

Todd Dillingham
Tryst

Sgt. Kipper
Without The Beatles

covers of the curious kind

Art Into Dust

triple white album 2009
The Active Listener Psychedelic Sampler 3

The Demonic Infant 12 cd set 2011
A Perfect Pop Compilation 1991 - 1994

Beyond the valley of the swirly bit april 9th 2009

Wilde Canterbury Dream