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Artist
Thomas Bernhard
12+ albums
about
Thomas Bernhard (1931-1989) is seen by many as a genius. His work is most influenced by the feeling of being left alone (in his childhood and youth) and his incurable illness, which caused him to see death as the ultimate essence of existence. His most typical work are loners' monologues explaining — to a rather silent listener — his view on the state of the world on the basis of a concrete situation. This is true for his plays as well as for his prose, where the monologues are then reported second hand by the listener. His main protagonists, often scholars — or, as he calls them, Geistesmenschen — denounce in their contumelious tirades against the "stupid populace" everything that matters to the Austrian: the state (often called "Catholic-National-Socialist"), generally respected institutions like Vienna's Burgtheater, or much-loved artists. His work also continually deals with the isolation and self-decomposition of people striving for a perfection impossible to reach, since perfection means stagnancy and therefore death. "Es ist alles lächerlich, wenn man an den Tod denkt" (Everything is ridiculous, when one thinks of Death) was his comment when he received a minor Austrian national award in 1968, which resulted in one of the many public scandals he caused over the years and which became part of his fame. His novel Holzfällen (1984), for instance, could not be published for years due to a defamation claim of a former friend. Many of his plays—above all Heldenplatz (1988
