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Artist
Theodor Szántó, also seen as Tivadar Szántó (3 June 1877[1][2][3] – 7 January 1934) was a Hungarian Jewish[4] pianist and composer. Szántó was born in Vienna, then the capital of the Austro-Hungarian Empire. His family name was originally Smulevic, of Jewish and Slavic origin.[5] His musical studies were in Vienna and Budapest, and with Ferruccio Busoni in Berlin 1898-1901.[6] He resided in Paris from 1905, Switzerland from 1914, and Budapest from 1921 until his death there in 1934.[1] Szántó contributed substantially to the rewriting of the piano part of the third and final version of Frederick Delius’s Piano Concerto in C minor, and he introduced this version at a Prom Concert in London on 22 October 1907 under Henry Wood.[7] For these services, Delius dedicated the Concerto to Szántó.[1] He also played the work at the Proms in 1912, 1913 and 1921.[8] This final version has become the standard version, but Delius's original conception has also been recorded.[9] Theodor Szántó was an early champion of the music of Zoltán Kodály and Béla Bartók.[10] It was his playing of Bartók's Romanian Dance in 1914 that introduced Arthur Hartmann to the music of that composer.[11] For his part, however, Bartók had little respect for Szántó.[5] He exhibited an interest in the music of Japan by writing at least three works using Japanese influences (an opera, an orchestral suite, and a piano suite).[1][10] He also made some piano transcriptions of works by Johann Sebastian Bach and Igo
In Japan: II. Jizuki-uta (Workmen´s Song)
212In Japan: III. Gombei ga tane makü (Gombei is Sowing)
193In Japan: IV. Matsuri-bayashi (Festival Song)
194In Japan: I. Chushingura
185Taifun: 2 Japanische Melodien: 2: Sakura Sakura
14634 Duetti: IV. Rodion (Shchedrin)
87In Japan - Chushingura
18In Japan - Jizuki-uta
19In Japan - Gombei ga tane mak
110In Japan - Matsuri-bayashi
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