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It's taken a while for The Vandas to get to this point. All the doubts, fears and frustrations are put to rest. Four years after four gentlemen from west and north of the Murray River colluded in the southern capital, their first long play record is finally here. Despite expectations, borne of two well-received EPs, and a loyal live fanbase of punters and peers gathered everywhere from the corner pub to the big stage with the likes of You Am I, The Drones, and The Beasts of Bourbon, come 2007, The Vandas were drifting. An album was past due but the wheels were barely turning, scars still not faded. Enter Joel Silbersher. A chance meeting on the factory floor where Chris Altmann and Mikey Madden were workmates with the GOD, Hoss and Tendrils frontman, saw handshakes exchanged and studio bookings made. The record's aim was to be true to The Vandas' greatest strength: playing live. Right down to the choice of their favoured rehearsal studio, Soundpark in Northcote, Victoria, and their live mixer, Justin Hermes, to engineer. In one long day, they laid down fifteen songs intended as demo's for the album proper. But the performances and sounds were so visceral, so right for the songs - so right for The Vandas - that thoughts of tempting fate with 'proper' recordings were soon nixed. After two more days at Soundpark in the summer of '08, followed by two weeks mixing in glorious analogue by Ben Hurt at Newmarket Studios, the record was done. David Bromley's striking original pai