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Artist
The Squires of the Subterrain springs from the do-it-yourself, lo-fi (but certainly not low-quality) pop ingenuity of a single man, Christopher Earl (born Christopher Earl Zajkowski), a fixture on the 1990s underground pop scene of Rochester, NY. Throughout the decade, while playing in numerous combos and side projects, Earl was creating some quirky and brilliant pop informed by the most far-out '60s work of the Beatles, Zombies, Kinks, and particularly Brian Wilson, on the sly in his basement (hence the derivation on "subterranean") lair and releasing it on a series of acclaimed cassettes as the Squires of the Subterrain. Earl began playing drums in 1979 with a group of high school friends that eventually morphed over the course of the next decade into the Essentials, and then, by 1992, into five-piece dance-rock band the Salamanders; the other primary members were guitarist Gregory Townson and bassist Todd Bradley, with Earl's younger brother and two of Bradley's siblings joining at various times. The Salamanders developed a sizable local following and even had the opportunity to play with some members of James Brown's great '60s band. They released a debut full-length, Livestock in the Living Room, in 1992 .. Hours before ultimately dissolving in 1997 when a couple of members quit. In 1998 Townson returned and the trio reformed as rootsy rock & roll trio the Hi-Risers. On the side Earl was playing in the '60s garage-type outfit the Riviera Playboys. In 1998 he emerged re