The genesis of The Loop Orchestra occured in the ashes of a simple two-tape-machine-no-man-band, The Nobodies, which died in a fire in 1980. From those ashes, and with a pastiche taken from the likes of Terse Tapes, home of Severed Heads, an ashen poultice was formed to take up further and more involved household heretical experimention, this time with reel-to-reel tape machines. This idea was subsequently expanded upon in the studio of Sydney radio station 2MBS-fm amid a group of experimental radio programmers. Two, John Blades and Richard Fielding, were using the studio equipment as an instrument, experimenting with tape machines through processes involving cutting, dissecting, rearranging and rejoining prerecorded tape, creating tape loops and playing them back. They felt a need to formalise their studio experimentation and so conceived the idea of creating a full blown machine orchestra whose contrived destiny it was to perform in the Sydney Opera House's hallowed Concert Hall. The intention of the Orchestra was for groups of instruments of an orthodox orchestra to be represented by reel-to-reel tape machines playing loops of the instruments' sounds. Upon the realization that this egoistical ambition was doomed a smaller ensemble comprising 4 reel-to-reel machines playing slowly evolving tape-loop constructions, made its live debut playing a live-to-air performance in the rather less graceful, but no less culturally appropriate studio of Sydney radio station 2MBS-fm in 1