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Between the years 1929 and 1937 several different Chicago-based blues/jazz ensembles made records as the Hokum Boys or the Famous Hokum Boys. The word "hokum" is believed to have descended from the English term "hokey-pokey," denoting both ridicule and the ridiculous; for more than a century "hokey-pokey" has also been used, on both sides of the Atlantic, to describe low-grade ice cream sold on the streets. Hokum can mean flattery, insincerity, derision, deception, nonsense, cheapness, or any sort of stage gimmickry used to elicit a response from jaded audiences. Musically, hokum conveys and deserves most if not all of these meanings. During the summer of 1929 pianist Alex Hill and guitarists Dan Roberts and Alex Robinson made records for the Paramount label under the name of the Hokum Boys. By early autumn the group consisted of pianist Jimmy Blythe, guitarist Bob Alexander, and a banjoist named Bob Robinson who also played clarinet. In November and December 1929 Ikey Robinson made a series of records for OKeh, first with Jimmy Blythe, then with Alex Hill. Throughout the second half of 1929 these men collaborated with pianist Leroy Carr and guitarist Scrapper Blackwell and made a number of recordings that were issued under the name of the Famous Hokum Boys. The Famous Hokum Boys name was adopted (or hijacked) by Big Bill Broonzy, first in 1930 and 1931, then again between 1935 and 1937 when he made records with various tough customers including Washboard Sam, Black Bob, Ca
The Hokum Boys Vol. 1939
Ain't Goin' That Way
Flashbacks - Geil & Sexy

Classics Of The 1920s
Ride Daddy Ride: Vintage Songs About Sex 1927-1953
The Slide Guitar Bottles, Knives & Steel Vol.2
Complete Recorded Works - Volume 1 : 1929
Those Dirty Blues, Vol.3
Please Warm My Weiner: Old Time Hokum Blues
All the Classic Sides 1928-1937
You Can't Get Enough Of That Stuff
100 Early Blues Recordings