Loading details…
Loading details…
Artist
The High Silence (London, UK) have been recording experimental, ambient melodies since 2004, with 'November After The War' being their first studio recording. Their bass-driven, melancholy sound is created by musicians Toby Pestridge & Russ Luscombe, who have collaborated on various projects since studying together nearly ten years ago. Continue with what you were doing, but make The High Silence it's soundtrack. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
# Why This Album Deserves Your Attention This project invites listeners into a deliberately restrained sonic world where patience becomes its own reward. Rather than pursuing conventional song structures, the duo constructs immersive soundscapes through layered bass frequencies and sparse melodic interventions—creating space for contemplation rather than distraction. What distinguishes their work is a philosophical restraint; nothing feels excessive or decorative. The melancholy emerges not from dramatic gestures but from careful attention to texture and silence itself. For those curious about how ambient music can operate as genuine composition rather than background texture, or who appreciate how long-form collaboration deepens artistic vision, this album offers genuine substance. It rewards close listening and repeated
Towards November
82This village was abandoned during the war
63as dark as the sunset, as bright as the night
54A Thousand Trucks, A Thousand Days
55We Were Never Friends Anyway
46This village was abandoned during the war final 2
27This village was abandoned during the war final 1
28A thousand trucks a thousand days
19we were never friends anyway - rough
110this village was abandoned in the war
1