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The Coshercot Honeys have recently changed their name to Brain Slaves. Since 2006, the five-piece Coshercot Honeys have been amongst the most hotly-tipped vibe-peddlers in Auckland’s late-night dives, clubs, and speakeasies; a regular attraction on the scene but not of the scene – and that’s an important distinction. This group have never had designs to fit any particular niche, nor to appeal to any select crowd, and with their not so secret weapon ‘We’re All Lions’ already topping the esteemed 95bFM Top Ten chart, it would seem that the band’s sound has in fact already transcended the confines of the underground areas from which they emerged. With today’s music culture relying on indicators from the past to understand what’s happening currently, much is made of whatever revival is in contemporary favour – and the Coshercot Honeys are not the sum of easily-identifiable directions. There is no direct lineage evident or obvious allegiances owed on their healthy collective of songs. Though the keyboard lines suggest the covert baroque psychedelia of The Stranglers; the lead guitars boil, swirl, and wind like Marquee Moon era Television; and the Strokes-nuanced vocals all exist in a reverb-drenched rhythmic atmosphere evocative of an era of unspecified vintage, these reference points perhaps belong to a generation once removed from the advent of the Coshercot Honeys. Nonetheless, when songs and feelings are encapsulated by the sense and no-sense of a late teenage and early 2