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"If you drop breadcrumbs while you're off adventuring you'll lose your way in darkness, so we've heard. We learn about their failures across the centuries but at least they got to feed some hungry birds." So declare the opening lines of "Matilda Effect," the new record by California's The Corner Laughers. The wry spirit of adventure contained within those words flows throughout the latest release from the band called "a nigh-on-perfect fusion of bubblegum-sweet tunefulness and clever, subtly barbed lyrics" (Icon Magazine.) Yes, lead singer/songwriter Karla Kane wears cat-eye glasses, plays ukulele and goes birdwatching, but The Corner Laughers are no stereotype hipster-twee band. Kane's literate lyrics and "ridiculously catchy" melodies (Word Magazine) are backed up by the powerhouse combination of virtuoso guitarist KC Bowman and rhythm ninjas Khoi Huynh and Charlie Crabtree on bass and drums. And FYI, that ukulele is electric. An intriguing mixture of bookish and badass, together they create "rousing, visionary adult pop" (Tom Robinson's Fresh on the Net). "Matilda Effect," named for the phenomenon of female scientists being overlooked in favor of their male colleagues, marks another step forward for the group, whose last release was the critically adored "Poppy Seeds" (2012). Cosmic-pop wizard Allen Clapp (The Orange Peels) produced the record, first from his midcentury-modern Silicon Valley studio, then from his woodland lair in the Santa Cruz Mountains. The Laughers t
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