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Artist
Praised by critics and fans alike for their gut-punching thick Foo Fighters style guitars combined with a Radiohead-esque melancholy and an Indie rock flare, The Contact has built a musical niche for themselves somewhere between The Smashing Pumpkins, Muse and Keane. This sound, along with songwriting that is at once spiritual, gritty and filled with metaphor, have helped The Contact find a space for themselves in Canada’s competitive music scene. Hailing from Halifax, Nova Scotia, The Contact is composed of Geoffrey Fifield on vocals and guitar, Tim Fifield on bass, drummer Nathan Elliot-Doucet and keyboardist Jordan Allen. The band finished recording and mixing their third studio project ‘Canvas Tears’ (released June 2007) produced by Grammy winner Quinlan and engineered by Lil Thomas. “We’ve been self-producing for years, so we really needed someone not to ‘tell’ us what to do, but to collaborate on our ideas and let them fly,” Geoffrey notes. “Quinlan’s a great listener with a very open mind." After two months laboring between The Sonic Temple in Halifax and The Fiction Room Studio in Columbus Ohio, the CD was mixed by Chuck Zwicky (Prince, Chantal Kreviazuk, Soul Asylum) in New York City and Mastered by Dave Collins (The Police, Bruce Springsteen, Soundgarden) in Los Angeles. The Contact came away with an album that blends all their collective influences over a bakers dozen tracks with a recorded sound that exceeds everything they’ve ever committed to tape. “During a rec