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Artist
The Blessed Beat
6+ albums
Avant-GardenoiseProgressive rockexperimentalnoise rock
about
Borderless Color Blast - Cinematic Visionary Avant Rock from members of Komara Personnel: Simone Cavina - Drums, Electronic Textures Bruno Germano - Recording and Mix Engineer David Kollar - Electric guitar Paolo Raineri - Trumpet Sophisticated, extraordinary trialogue of experienced improvisers creating their trans-genre & tranversal musical collage inspired by Charles Bukowski ́s text “The Copulating Mermaid Of Venice”. They do not play to illustrate this novel, but to make real the various (im)possi-ble, rhizomatic connections between surprising sounds and tones – only this way they can remind us tense atmosphere of this writer. However, first of all, The Blessed Beat tries to go beyond... – not only beyond of this literary text, but beyond the space of binarities to find something “in between them”. The music here is either massive, uncompromising aggressive (in kind of poly- rhythmical and brutal sonic tsunami) or flowing sonoristically introverted, but you can feel and have a hunch that there is something more, which moves us to the otherness of unknown, adventurous, sometimes quite disquieting world where nothing is stable and expectable. The specific immediate, instant, intuitive musical communication of David, Simone and Paolo can overlaps your expectations because they are able to ex-press ineffable meanings of something “beyond and between”. Slovakian guitarist and composer David Kollar has released nine expansive albums, scored 18 films and wo
top songs
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I Feel It In My Blood
382Best Fuck I Ever Had
373Doesn't Look Dead To Me
364Like Garbage Left In The Sink
305The First Thing To Come And The Last Thing To Go
306Just Like A Mermaid
287Only A Damn Fool Falls In Love
188You've Been Fucking Dead Women All Your Life
179DoesnŐt Look Dead To Me
410The First Vegan food
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