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Most bands have an amusing anecdote to tell whenever someone asks them about their name. In the case of New Jersey quartet Stolen Rhodes, they have two. “We had a Rhodes keyboard that was stolen from our singer earlier in his music career,” explains Kevin Cunningham, the band’s lead guitarist. And the other story? “The band may have commandeered a Rhodes at some point from an undisclosed location,” he sheepishly admits. Take another look at that last sentence: the band sought to reacquire a Rhodes piano, a keyboard that’s been out of fashion for nearly three decades. The band’s name isn’t just a funny story – it’s a battle cry. “The music of the past is what spoke to us the loudest,” explains Cunningham. “It is music you can feel, timeless music, songs that people react to in any generation. It's less like a yearbook of a certain point in time and more like a National Geographic magazine. It's good no matter when you hear it.” Of course, you would expect a response like that from a band whose principal songwriters, singer/multi-instrumentalist Matt Pillion and bassist/guitarist Dan Haase, grew up a stone’s throw away from Bruce Springsteen’s adopted hometown of Asbury Park. It’s not like they really had a choice in the matter; “The classic Asbury sound was in the water,” Cunningham jokes. The Boss’ influence proves to be more spiritual than literal, however, on Falling off the Edge, Stolen Rhodes’ debut album. If anything, the ghost of the Allman Brothers looms the