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Artist
Stockholm Monsters
12+ albums
post-punknew wavefactory recordsManchesterPost punk
about
A neglected part of the Factory Records scene, the Stockholm Monsters is a key link between the bristly art-funk of A Certain Ratio and the good-foot indie dance vibe of Happy Mondays and the other Manchester bands of the late '80s. Often seen merely as New Order proteges (Peter Hook produced all but one of their records) and victims of both record company indifference and unnecessary potshots by the cynical British music press, the Stockholm Monsters deserved better treatment than they usually got. Formed by teenage brothers Tony and Karl France (vocals/guitar and bass/keyboards, respectively) and fraternal twins Lita and Shan Hira (keyboards and drums, respectively), the Stockholm Monsters gathered in suburban Manchester in 1980, signing to local indie powerhouse Factory Records the following year. Just before the release of their first single, the Martin Hannett-produced "Fairy Tales," 17-year-old trumpet player Lindsay Anderson joined the band. Although "Fairy Tales" was a minor success, hitting the middle reaches of the U.K. indie charts, the Hook-produced follow-up, "Happy Ever After," was a sales disappointment. Following another lineup change, with Lita Hira being replaced by guitarist John Rhodes and Anderson adding keyboards to her trumpet duties, the Stockholm Monsters released a fine EP, Miss Moonlight, in 1983. Unfortunately, despite Hook's continued involvement, Factory Records apparently lost interest in the group and shunted them to their Belgian subsidiary
