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- Titulaire Adjointe du Grand-Orgue de Saint Sulpice - Titulaire du Grand-Orgue de Saint Jean-Baptiste de La Salle - Professeur au Royal College of Music de Londres User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
# Sophie-Véronique Choplin This album merits serious listening for its exploration of the pipe organ as a vehicle for contemporary musical thought. Choplin, a performer of considerable institutional standing—holding positions at major European churches and teaching at the Royal College of Music—brings both technical mastery and interpretive depth to her work. Rather than treating the organ as a historical instrument bound to tradition, she engages with its capacity for nuance and expressive range in ways that challenge conventional assumptions about the instrument's voice. The project reflects a thoughtful musician asking what the organ can communicate to present-day listeners, combining technical sophistication with genuine curiosity about sound itself.
Introduction et Passacaille en Ré Mineur: Introduction
1,0152Suite Gothique pour grand orgue, Op. 25: Menuet Gothique
1483Introduction et Passacaille en Ré Mineur: Passacaille
1034Prélude, fugue et variation en Si Mineur, Op. 18, FWV 30: I. Prélude
575Suite Gothique pour grand orgue, Op. 25: Toccata
476Prélude, fugue et variation en Si Mineur, Op. 18, FWV 30: III. Variation
457Prélude, fugue et variation en Si Mineur, Op. 18, FWV 30: II. Fugue
448Sonate No. 6 en Ré Mineur/Majeur, Op. 65/6
439Suite Gothique pour grand orgue, Op. 25: Introduction - Choral
4310Suite Gothique pour grand orgue, Op. 25: Prière à Notre-Dame
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