Sophie Junker

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Sophie Junker regularly performs with top-flight conductors including Harry Bicket (Dorinda Orlando), Laurence Cummings (Sigismondo in Handel’s Arminio, Aspasia in Alexander Balus, Michal in Saul, and Bellezza in Il Trionfo del Tempo e del Disinganno), Christian Curnyn (Italian Woman in Charpentier’s Médée, Phoebe in Rameau’s Castor et Pollux), Masaaki Suzuki (Monteverdi’s Vespers), and Stefano Montanari (Zerlina Don Giovanni). Described by Opera magazine as “… irresistibly charming”, Sophie already has an established relationship with the Opera Royal de Liège Wallonie (Elisetta Il Matrimonio segreto, Wanda La Grande Duchesse de Gérolstein, title-role in Pauline Viardot’s Cendrillon), and Angers-Nantes Opéra (Amour Orphée et Eurydice, Constance Dialogues des Carmélites). She made her American operatic début in 2016, singing Cleis in Martini’s Sapho and Hélène in Chabrier’s Une Éducation Manquée (Opera Lafayette, New York, and Washington). Further operatic roles include Caio in Vivaldi’s Ottone in Villa at the Copenhagen Opera Festival, Proserpine/Euridice in Charpentier’s La Déscente d’Orphée aux enfers (Wigmore Hall, The Hague), and Belinda (Dido and Aeneas, Innsbrucker Festwochen der Alten Musik). In concert, Sophie appears regularly as soloist with Concerto Copenhagen conducted by Lars Ulrik Mortensen, with David Bates’ La Nuovo Musica, with the Belgium-based ensemble Vox Luminis, with Le Concert de la Loge conducted by Julien Chauvin, with Le Poème Harmonique conducted

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