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Artist
Thomas D'Arcy marches to the beat of his own drum machine. That's what D'Arcy -- the solo mastermind behind Small Sins (formerly known as The Ladies And Gentlemen) discovered after spending the better chunk of a decade in bands percolating around the indie-rock scene of his Toronto hometown. By Christmas 2004, D'Arcy found his band broken up and himself in the midst of a "mid-twenties crisis." "I was really questioning what I was doing with my life," D'Arcy says. "Why am I in this band I don't love? Why am I not making music that I do love? I was thinking back to how things used to be, when it was pure spirit and fun. Music had become work, yet I still felt like I should be getting to work on something." And get to work he did. D'Arcy retreated alone to the basement of his childhood home: armed with little more than a Roland 707 drum machine, a clutch of vintage Moog keyboards, and a sixteen-track recorder, he was determined to create sounds that reflected the passion that led him to music in the first place. After nearly a year of woodshedding, D'Arcy fulfilled his goal, emerging with Small Sins. A masterpiece of heartfelt electro chamber-pop, Small Sins bubbles with gorgeously layered harmonies, synth gurgles, and hook-filled tales of love lost and found as honest and bracing as the Canadian winter. Despite its intensely personal nature, Small Sins became D'Arcy's most well-received musical venture yet. Boompa Records, a Vancouver-based independent label, initially releas

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