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Artist
Shawn Snyder hates these token bios. Glorified. Hyperbolized. Self-Aggrandizing. With the cellophane appearance of third person journalistic objectivity. These bios, what with their “Not since John Lennon”s and their “Reminiscent of the young Bob Dylan”s and the quintessential quote from this or that college newspaper. Yet Shawn acknowledges the necessary evil of the singer-songwriter bio-construct (particularly on a web page devoted to self-promotion) and woefully consents to following suit. Though he hopes to do so in a more straightforward fashion. Simple. Factual. Down to earth. At times tongue in cheek. Yet favorable, of course, to the artist in question, with a general confidence and pride in what he does and has to offer, but by no means a narcissistic cockiness. Having thus disclaimed, he’ll now proceed. "Shawn Snyder's original acoustic folk-rock is lyric-driven, with an organic simplicity, utmost sincerity, and unmistakable groove" (Beat Magazine, Melbourne, Australia), soulfully blurring the lines between folk, rock, jazz, and blues. Whether treating audiences to an intimate solo-acoustic performance or collaborating with other musicians, his live shows are always impassioned and expressively earnest. Shawn considers among his influences the likes of James Taylor, Paul Simon, Lyle Lovett, Martin Sexton, Tom Waits, John Gorka, Patti Griffin, and Louden Wainwright III. A relatively recent Harvard graduate (with a degree in Religion), Shawn has opted to make the m