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That Shadowclub planned to record their debut album in just 12 days, but completed it in nine, says much about the Johannesburg- based trio’s attitude to music. Their rootsy, bluesy rock is purposely fuss free. The dozen songs on their debut, ‘Guns & Money’, were recorded live with no backing track. Modern recording techniques may have been used, but they certainly weren’t relied on. Like the classic rock acts that inspire them, Shadowclub are about powerful songs performed with a passion that explodes from the speakers and, live, can be felt at full force by their fans. “From the start, this was a back-to-basics band,” explains singer Jacques Moolman. “It had to be a three-piece so we could keep it simple. We wanted to make short, fast, banging tracks. Basically, music that was fun to play live and easy for a crowd to connect with.” With ‘Guns & Money’, Shadowclub have succeeded in doing just that. The album’s title track is a furiously-paced, feel-good rocker, driven by an insistent, funk-fuelled bassline, cacophonous drums and a hip-shaking groove. You’ll hear shades of The Doors and The Ramones, snarled, seductive vocals and woo-hoos that cry out to be chanted back. On the woozy, bluesy ‘ Lucy’, a desolate Moolman describes leaving home for the first time and, intriguingly, recasts himself as a girl. ‘Good Morning Killer’ is a snappy song that recalls The Strokes, manages to be sexy and sleazy at the same time, and is based on the tale of a serial killer who is also a lov